Trouble with blogger today.
I had intended to tell the story of two women, one Canadian, the other American.
It was to have been an attempt at a trash novel.
What is below is all that blogger would give me.
So here is an attempt at a trash novel, with just the American girl left in.
I hate the word.
It floats like a banner down there among my earliest memories, my father calling me beautiful, "my little doll", my mother showing me off to the architects and painters she was sleeping with. "Isn't she beautiful," they'd say, as if patting me on the head with the word, anxious to go into that bedroom to lock me out.
After the divorce I got to miss my father, really miss him. I would even have put up with him using the word, patronizing me as only father patronize little girls who look like they've walked straight out of a suntan lotion ad, cute, blonde, the bathing suit half pulled off by the cutest puppy, or the healthy little girl face on the jam jar. As I get older, I wonder if the affection of every father for his little girl is always totally honorable. Still, my father and I were very close. I would write him letters; we could exchange little presents. But I was always his beautiful little girl. Even now, when I see him, still trying to make a living with his blueprints and his pencils, a bottle always nearby, he still calls me his little doll, while reaching for a nip when I talk about my latest divorce. Good God, maybe it's all beauty and no brains with me. How could I have stayed with Richard for those long five years? Richard, himself a beautiful man, an actor, though unemployed most of the time and in the last two years cranked up on speed, playing that damn rocksichord day in and day out like a mad phantom in a rock opera. Should have been a musician. But he was too vain. It was his looks that he had put all his eggs in. Until one day it became plain that two Robert Redfords in one Hollywood just wouldn't do. Redford went on to being The Robert Redford and Richard hit the spike.
How is it that we are felled by the very gift that makes us stand out from other people? Puberty hit me like a witches spell. I was given to strange dreams, allergic flashes, a sensitivity that was unbearable. And all around the boys, the men (and women too), "You are so beautiful." Then I'd run off in a storm of tears. What was it with adults? What is it with people even now? How are they so certain that appearance was reality? How is it that no adult really knows what is going on with a child, and all the time the adults so self-possessed, so confident in what they seem to know of the child, and it's all subtle control, a kind of bullying. "You know, you should..." Adults and children may as well belong to different species.
Our family moved in a very fast set. My father, in those days, was a very successful architect, back then in the Bauhaus fifties, where everything worked in terms of squares, of function, before the automobile makers went bananas with their chrome fins, and, some say, masturbation fantasies. My father designed beautiful modular houses back in California. He'd probably gotten the idea from a Middle East village (he would travel far and wide to develop his concepts). California was just right for his designs, the use of open space, terracing, little gardens at various levels, the house resembling a child's Toggle set, squares heaped upon squares, but interlocking in such a way that every room had an open terrace, a view and a separate entrance from outside, so that a number of rooms could be bypassed if you wanted to reach any particular room in a hurry, or if guests wanted to sunbathe or hold a hibachi party.
He was a clever man, my father, but when it came to me, when it came to loving me for something than the adman's image he had of me, he drew a complete blank.
I don't know why we were forever having parties, why all those actors, actresses, other architects and painters were always hanging around the house, my mother sometimes shooing off still-drunken revelers on the day after. I guess it came with my father's success. But it was short-lived. Styles changed. Back splits became the big thing. At first my father refused to compromise, but when he eventually bit the bullet, gave up and tried to survive by appeasing all those contractors. All the beautiful people had gone. He was just another architect, virtually just another draughtsman now. He took to drinking and being abused by my mother. He was a kind, sometimes almost childlike man totally incapable of defending himself against a woman turning bad . Once his career started to slope down, my mother became very good at undermining his confidence.
Mom and apple pie. How right Philip Wylie was those many years ago, when his work was overshadowed by Pearl Harbor and all the FDR patriotism that went with it. "Momism" in America. Mom, the celebrity's wife turned clubwoman. Mom so ensconced in being the answer to the great American question, "Madam, are you a good lay?"--all this booming at you out of the television tube and all the billboards and the bright inside ads on the buses and subways. Lady, are you a good lay?
Well, my mother must have worked very hard at being a good lay; she worked very hard at developing me into a good lay. After her divorce the men would come to see Mom, but they would stay and try to flirt with me.
I had to get out of it all. At seventeen I ran off with the first sympathetic man that came along...
Ah, how fascinated we still are by that old trash novel, Valley of the Dolls....How, in our heart of hearts we'd just love to write a trash novel.
Or is it just me, trying to jump over the moon?